"[75] Similarly, his obituary in The Guardian commented that: Kneale was by no means the only author to have been largely wasted by television, and to have seen his status overtaken by soap opera hacks. [53], Less successfully during this period, Kneale completed screenplays for adaptations of the novels Lord of the Flies by William Golding and Brave New World by Aldous Huxley. He started on television, where his five-part series The Quatermass Experiment in 1953 took the fledgling British television industry by storm, racking up huge audiences despite the relative rarity of TV sets at that time. [10] Kneale's first credited role in adult television drama was providing "additional dialogue" for the play Arrow to the Heart, broadcast on 20 July 1952. But his place is secure, alongside Wells, Arthur C. Clarke, John Wyndham and Brian Aldiss, as one of the best, most exciting and most compassionate English science fiction writers of his century.[4]. [72] Kneale agreed, on the proviso that it would be a totally new concept unrelated to the first two films, which he had not seen and he did not like what he had heard about them. [94] Similarly, in 1995 Kneale scripted a four-part adaptation of one of Kerr's sequels to the book, A Small Person Far Away, but this also went unproduced. [40] Kneale was disappointed that Brian Donlevy also returned in the role of Quatermass. In 1968's The Year of the Sex Olympics, Kneale, a pioneering writer of TV drama who died this week, ingeniously predicted the future of lowest-common-denominator TV. In 2005, he acted as a consultant when the digital television channel BBC Four produced a live remake of The Quatermass Experiment. [38], In May 1957, Kneale was contracted by the BBC to write a third Quatermass serial,[39] and this was eventually transmitted as Quatermass and the Pit across six weeks in December 1958 and January 1959. "[42] 1957 also saw the release of another cinematic collaboration between Kneale and Guest, when Kneale adapted his 1955 BBC play The Creature into The Abominable Snowman;[43] in this case, Hammer retained the star of the BBC version, Peter Cushing. In 2000, he received the Lifetime Achievement Award from the Horror Writers Association. [59] Kneale did his first work for the ITV network during this time, writing one-off play The Crunch for the ATV company in 1964.[60]. In a January 2015, BBC Radio 2 gave an interview with Hammer Films CEO Simon Oaks with news of developing a new Quatermass series for television. [62], Kneale was admired by the film director John Carpenter,[3][31] who hired Kneale to write the screenplay Halloween III. Writing extensively for both film and TV, Nigel Kneale is one of the most important and radical British screenwriters of the last century.His work has haunted several generations of British viewers. The Year of the Sex Olympics was the brainchild of writer Nigel Kneale. [6] Although his first out-and-out comedy, Kneale was keen to stress that there had always been elements of humour present throughout his scripts,[38] and some of the press reaction to Kinvig was positive. Described by The Independent as "one of the few writers not to fall out with John Osborne,"[7] Kneale adapted Osborne's plays Look Back in Anger and The Entertainer in 1958 and 1960 respectively, both for director Tony Richardson. Bisette, Stephen R. “The Quatermass Conception.” Video Watchdog, no. [34] Specifically designed by the BBC to combat the threat of the new ITV network,[26][30] which launched just a month before Quatermass II was shown,[35] the serial was even more successful than the first, drawing audiences of up to nine million viewers. [3] His final professional work was an episode of the ITV legal drama Kavanagh QC, starring John Thaw. In 2000, he received the Lifetime Achievement Award from the Horror Writers Association. Controller of Programmes Cecil McGivern wrote in a memo that: "Had competitive television been in existence then, we would have killed it every Saturday night while [The Quatermass Experiment] lasted. But there were after-effects, a moo [14] Kneale's publisher was keen for him to write a novel,[3] but Kneale himself was more interested in writing for television. … He started on television, where his five-part series The Quatermass Experiment in 1953 took the fledgling British television industry by storm, racking up huge audiences despite the relative rarity of TV sets at that time. "[84] Film screenwriter and director Dan O'Bannon was also an admirer of Kneale's writing,[83] and in 1993 wrote a potential remake of The Quatermass Experiment,[85] of which Kneale approved,[86] but the film was never made. Cast splendid, direction deft," was The Times's preview of the first episode. 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